cellini salt cellar stolen

Well, this is fun, this talk of art and money; its like a hyper-inflated episode of the Antiques Roadshow. Cellar started with a handwritten menu of dishes I like to eat and antique pieces from St Boniface Church on 2nd Ave. in Jersey city. $68.3million in CPI-adjusted 2012 United States dollars[9]) by Uniqa Insurance Group, an Austrian insurance company. [5] The museum offered a reward of 1,000,000 for its recovery. Had it been melted down, or was it gracing the home of an unscrupulous collector. Crime investigation found small, blue enamel remains in the showcase at the KHM . But for nearly three years the Austrian police had no idea what had happened to the 35m figurine after it was stolen in 2003 from a Vienna museum. The gold is not cast in a mould but hammered by hand into its delicate shape. Placed on wheels to rotate and move the work along the table, this object was intended to form a centerpiece for the French kings dining table, and the conversations of the surrounding courtiers. The suspect "was a funny guy," he said. The salt cellar was stolen from the museum in May 2003 and recovered by police in January 2006. Creator. To the viewing public, then, art is worth only and exactly the pleasure they get from looking at it. Preview Picture Data . As the only solid gold sculpture that Cellini ever made, the nude lady enjoying some self-exploration represents Ceres, the goddess of agriculture, and she's lounging next to her very own temple that stores peppercorns. Theft and Return. Page of Salt Cellar by CELLINI, . The figure they cited is stunning, and no wonder: It comes out of an empyrean that few objects ever visit. But theres only one Cellini table piece. After hiding it under his bed for a couple of years he attempted to ransom it back. He knew of course that there was no legitimate market for the object, so instead hid the salt-cellar under his bed and then buried it in a forest. Info. The classic silver round or oblong salt cellar with legs started appearing in the 1700s. For those of usand it is most of uswho neither buy nor sell artworks, art is free, or nearly so. Its our view that $58 million is, if anything, much too low. CALL US: (201) 222-1422. And then there was the saltcellar. For a renaissance viewer, these figures of Land and Sea would have also suggested the elements of earth and water, two of the four materials from which all matter was thought to be made, along with fire and air, The base is decorated with four figures in reclining poses, which, according to Cellini, can be identified as Night, Day, Twilight and Dawn, and draw on. It was stolen from the museum in May 2003 and recovered by police in January 2006. . The Cellini Salt Cellar or the Saliera, Benvenuto Cellini's table-sculpture-cum-salt-and-pepper-shaker was stolen from the Kunsthistorisches Museum in Vienna in May of 2003. Flavors $1 Raspberry: Raspberry falernum Mocha: Mr. Black coffee liqueur Spiced: Pimento Dram. It is one of the world's greatest Renaissance artefacts, an extraordinary gold-plated saltcellar by the Florentine genius Benvenuto Cellini. [1] It was created in the Mannerist style of the late Renaissance and allegorically portrays Terra e Mare (Land and Sea). Bernard van Orley and Pieter de Pannemaker, Boxwood pendant miniature in wood and feathers, This isnt just an engraving of Adam and Eve from 1504. These are bordered by agricultural and musical instruments, representing the man-made world in miniature. The intricate, 10-inch-high sculpture, known as the Saliera, or salt cellar, is valued at about $57 . All contents 2022 The Slate Group LLC. Benvenuto Cellini, Salt cellar, 1540-43, gold, enamel, ebony, and ivory, 28.5 x 21.5 x 26.3 cm (Kunsthistorisches Museum . Victoria C. Gardner summarizes it perfectly in The Sixteenth Century Journal: . It is, then, a peculiar thing to appraise. When the famous 1540's Cellini salt cellar was stolen from the Kunsthistorisches Museum in Vienna, some news reports said it was gold-plated. his lawyer Lukas Kollmann said: He wants to be left alone in order to lead a normal life again., Photo Credit: Herbert Pfarrhofer/European Pressphoto Agency. Mon 23 Jan 2006 07.16 EST. ", How did the police feel, knowing the "Saliera" was safe? The hunky gent sitting across from her represents Neptune, the god of the ocean, On 11 May 2003, the cellar was stolen from the Kunsthistorisches Museum, which was covered by scaffolding at that time due to reconstruction works. he will return to selling and installing alarm systems: I am a Professor at South Texas College of Law Houston. You can use the Cellini at your table, I suppose, in which case its worth about as much as a pair of plastic salt and pepper shakers from Target: $3.98 or so. But he knew how to create luxurious objects, and the tone of the times was just right for his flourishes. [citation needed], Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}481213N 162143E / 48.2036N 16.3619E / 48.2036; 16.3619, "Selected masterpieces The Goldsmith's Art: Sogenannte Saliera", "For Stolen Saltcellar, a Cellphone Is Golden", "Famed 'La Saliera' sculpture back on display in Vienna", "Inflation Calculator: Bureau of Labor Statistics", https://en.wikipedia.org/w/index.php?title=Cellini_Salt_Cellar&oldid=1125383469, This page was last edited on 3 December 2022, at 18:32. Filippo Brunelleschi and Lorenzo Ghiberti, Orsanmichele and Donatello's Saint Mark, Florence, Andrea della Robbias bambini at the Ospedale degli Innocenti, Florence, Alberti, Faade of Santa Maria Novella, Florence, Northern Italy: Venice, Ferrara, and the Marches, Devotional confraternities (scuole) in Renaissance Venice, AldoManuzio (Aldus Manutius): inventor of the modern book. According to Cellini, the king himself gasped in amazement and could not take his eyes off it. No other work of Cellinis goldsmithing survives. Neptune, with his trident, is surrounded by seahorses and sits beside the model ship which holds the salt. By the artists own (often exaggerated) account, it was used at least once for a dinner party of his friends, before it took its place in the kings collection. 1500, Firenze, d. 1571, Firenze) Salt Cellar 1540-44 Gold, enamel and ebony, 26 x 33,5 cm . But the same forces that make the Cellini so valuable at auction make it almost impossible to sell on the black market. It later passed into the possession of Archduke Ferdinand of Tyrol, before ending up in the imperial Viennese collection. The king and his court had particular taste for complex ornament and allegory, as well as sexual imageryexemplified by the frescoes that adorned the kings favorite palace at. Picture Data. The Saliera is so intricate and valuable that it's known in the KHM as 'the Mona Lisa of . And who had stolen it in the first place, shinning up scaffolding and breaking a window and display case at the capital's sumptuous art history museum without the guards noticing? Demeter sits beside a temple which holds pepper. But of course its beside the point. . On 11 May 2003, the cellar was stolen from the Kunsthistorisches Museum, which was covered by scaffolding at that time due to reconstruction works. It would be desired by every great museum in the world, every great collection in the world. the cellar is a Mannerist masterpiece. The cellar was stolen from the Kunsthistorisches Museum in 2003, but recovered three years later. The thief set off the alarms, but these were ignored as false, and the theft remained undiscovered until 8:20am. It was later recovered in January 2006 near Zwettly, Austria. [1] In Cellini's description, the sea was represented by a male figure reclining beside a ship for holding the salt; the earth he "fashioned like a woman" and placed a temple near her to serve as a receptacle for pepper. The theft was listed at one time as one of the FBIs Top Ten Art Crimes. "He also ran an alarm firm and was an expert in alarm systems. Height: 10.24 in (26 cm) Width: 12.21 in (31 cm) Depth: 7.88 in (20 cm) . The handle represents the God Bacchus . It was stolen on May 11, 2003 from the Kunsthistorisches Museum in Vienna. Carlo Crivelli, Sala dei Mesi (Hall of the Months) at Palazzo Schifanoia, Toward the High Renaissance, an introduction, Preparatory drawing during the Italian renaissance, an introduction, Nicola da Urbino, a dinner service for a duchess, Unfinished businessMichelangelo and the Pope, A chapel for Eleonora di Toledo, Duchess of Florence, An introduction to the Northern Renaissance in the fifteenth century, Introduction to Fifteenth-century Flanders, Introduction to Burgundy in the Fifteenth Century, Northern Renaissance art under Burgundian rule, The role of the workshop in late medieval and early modern northern Europe, Biblical Storytelling: Illustrating a Fifteenth-Century Netherlandish Altarpiece, The question of pregnancy in Jan van Eycks, The Holy Thorn Reliquary of Jean, duc de Berry, An introduction to the Northern Renaissance in the sixteenth century, Inventing America for Europe: Theodore de Bry, Johannes Stradanus and Theodoor Galle, The Discovery of America. That was his mistake. Questions or Comments? Its return has prompted national rejoicing. Benvenuto Cellini (/ b n v nj u t o t l i n i, t -/, Italian: [bevenuto tellini]; 3 November 1500 - 13 February 1571) was an Italian goldsmith, sculptor, and author. The artist also found ways to imply that this harmony of Land, Sea, times of day (Night, Day, Twilight and Dawn), and winds, as well as human life, ultimately stems from the kings power. The suspect had only buried the sculpture there recently, Mr Geiger said. Ill give you a moment to ponder the conjunction of a piece of tableware and all those zeros, and then well begin again. On May 11, thieves stole a saltcellar worth $58,000,000 from the Kunsthistorisches Museum in Austria. The Saliera, of rolled gold, was created by Cellini for Francis I of France between 1540 and 1543. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. Here he had a holiday home. A number of thieves attempt to ransom their ill-gotten gains back to the insurance companies or original owners, and its unclear how often a ransom is paid. , 154045, bronze, 2.05 4.09 m (The Louvre; photo: The complex imagery of the salt cellar would have appealed to the French king and his court for several reasons. often used to suggest a sexual relationship in renaissance art. one of the kings personal emblems) next to the temple. But it worked.". We had to clear it away. He claimed to have had a couple of beers before the theft. Two views of thestolen Cellini. Stolen Wedding Ring Returned To Passenger At Newark Airport, Feds Say - Newark, NJ - "The police understood the urgency in tracking down the man before he was able to fly off," a TSA official said. On 11 May 2003, the cellar was stolen from the Kunsthistorisches Museum, which was covered by scaffolding at that time due to reconstruction works. About. The theft provoked angry questions in parliament; Austria's biggest tabloid, the Kronenzeitung, called it "scandalous". Ultimately it remains unclear whether Cellinis salt cellar was ever meant to be used, or just enjoyed as an ornament. It was translated into German by Goethe, who regarded him as a key Renaissance figure. The museum had offered a reward of 70,000 for its recovery. Gold, enamel and ebony, 26 x 33,5 cm. Luckily the police immediately arrested the thief and managed to secure evidence which was estimated to cost . Italian salt cellar Completely handmade, worked in fusion and finished with chisel. Rembrandts are hard to find, but not impossible. "Our joy is extraordinary," Austria's culture minister, Elisabeth Gehrer, said showing off the 16th century sculpture or "saliera", which depicts a trident-wielding Neptune reclining opposite a languorously naked woman. Photograph: Barbara Gindl/EPA. The thief, Robert Mang was an alarm-systems installer . Its a global ad campaign, Gerhard Emmoser, Celestial globe with clockwork, Portraits of Elizabeth I: Fashioning the Virgin Queen, The conservators eye: a stained glass Adoration of the Magi, The Gallery of Francis I at Fontainebleau (and French Mannerism), Follower of Bernard Palissy, rustic platter, Introduction to the Protestant Reformation (part 1 of 4): Setting the stage, Introduction to the Protestant Reformation (part 2 of 4): Martin Luther, Introduction to the Protestant Reformation (part 3 of 4): Varieties of Protestantism, Introduction to the Protestant Reformation (part 4 of 4): The Counter-Reformation, The Council of Trent and the call to reform art, Iconoclasm in the Netherlands in the Sixteenth Century. A riotous publicity hound who was jailed for murder and then released after the intervention of the Medicis and the pope, Cellini was a gifted follower of Michelangelo and penned a self-promoting "autobiography". "For most of the time he kept it in a suitcase under his bed of his flat. Still, one can speculate about what would happen were such an auction to take place. Two views of the stolen Cellini. , translated by George Bull (London: Penguin Books, 1998), (Cambridge: Cambridge University Press, 2002), Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance, (Chicago, Illinois: Chicago University Press, 2006), https://smarthistory.org/cellini-salt-cellar/, New chapter! The Cellini Salt Cellar is a place for salt and pepper which Benvenuto Cellini created for the King of France in the 1500s. Salt cellars for table use were displaced by salt shakers when reliably free-flowing salt became available. This is the Cellini Salt Cellar, an elaborate gold and enamel table decoration, measuring only 10 inches in height. The salt cellar Cellini made depicts Neptune and Demeter, the gods of the ocean and agriculture. Benvenuto Cellini, Salt cellar, 1540-43, gold, enamel, ebony, and ivory, 28.5 x 21.5 x 26.3 cm (Kunsthistorisches Museum, Vienna). Juan Martnez Montas and Francisco Pacheco, Porcelain, gold, and the Dutch East India Company, Louis le Vau, Andr le Ntre, and Charles le Brun, Chteau de Versailles, Claude Perrault, East faade of the Louvre, John Michael Wright, The Coronation Portrait of Charles II, Different Places: Japanese porcelain with English gilt-bronze mounts, The Formation of a French School: the Royal Academy of Painting and Sculpture, Joachim Michael Salecker, Cup with cover with Hebrew inscriptions, Central and Eastern Europe in the 17th18th century, The Age of Enlightenment, an introduction, Pierre-Alexandre Barthlmy Vignon, Church of La Madeleine, Jacques-Germain Soufflot, The Panthon (Church of Ste-Genevive), Paris, J. Schul, Portrait of a Lady Holding an Orange Blossom, Portraits of Francisca Ramrez de Laredo and Antonio de Ulloa. In truth, then, I misspoke when I said the piece was worth all that money since theres no possible market for it, no economic transaction in which it can functionexcept, perhaps, ransom or insurance. In the meantime theres this small consolation: If whoever has it paid more than $3.98 for it, he got rooked. His friends immediately recognised him. The 500 year-old work may be worth as much as $50 million. Finding out that he had in fact stolen Cellini's famed masterwork, one of the most prized objects in the Kunsthistoriches Museum, the thief buried this treasure in a nearby . Spain and Portugal in the 15th and 16th centuries: The Rise and Fall of the Avis Dynasty in Portugal, an introduction, Fifteenth-century Spanish painting, an introduction, Tomb of Juan II of Castile and Isabel of Portugal, Treasure from Spain, lusterware as luxury, Royal monastery of Nuestra Seora de Guadalupe, Apostle or Saint, bringing the figure to life, Sacred geometry in a mudjar-style ceiling, Francis Bacon and the Scientific Revolution, Restoring ancient sculpture in Baroque Rome, Francesco Borromini, San Carlo alle Quattro Fontane, Rome, Caravaggio and Caravaggisti in 17th-century Europe, The altar tabernacle, Pauline Chapel, Santa Maria Maggiore, Rome, A Still Life of Global Dimensions: Antonio de Peredas. But anyone whos taken an introductory art history class would recognize the Cellini at a yard sale. It had been the greatest art theft in Austrian history. Q. Preview. There is simply no precedent for such a thing being on the market. A video camera captured the suspect buying a mobile phone. Cellini made the thing of gold, enamel, and ivory between 1540 and 1544, on commission for the king of France. Had it been melted down, or was it gracing the home of an unscrupulous collector? The gallery lights glinted off an intricately worked gold and enamel surfacethis was the famous salt cellar by the sixteenth-century Florentine sculptor and goldsmith, This object takes the form of an oval base, on which two nude figures sit facing each other. Theres nothing else like it. He sent a number of ransom notes to the museums insurance company threatening to melt the work down if he wasnt paid 10-million. The theft occurred at around 5:30 a.m., Scotch Plains Police report. Details. Last Friday, after weeks of deliberation, the police published the picture. On it there are two recumbent figures: One represents the Earth, with a miniature temple by her side where peppercorns were to be stored; the other represents the sea, with a boat beside him for holding salt. Beyond such practical terms, its as worthless as it is priceless. The role of the workshop in Italian renaissance art, Images of African Kingship, Real and Imagined, Introduction to gender in renaissance Italy, Sex, Power, and Violence in the Renaissance Nude, Confronting power and violence in the renaissance nude, Renaissance Watercolours: materials and techniques, The conservators eye: Taddeo Gaddi, Saint Julian, Florence in the Late Gothic period, an introduction, The Arena Chapel (and Giottos frescos) in virtual reality, Giotto, Arena (Scrovegni) Chapel (part 1 of 4), Giotto, Arena (Scrovegni) Chapel (part 2 of 4), Giotto, Arena (Scrovegni) Chapel (part 3 of 4), Giotto, Arena (Scrovegni) Chapel (part 4 of 4), A rare embroidery made for an altar at Santa Maria Novella, Andrea Pisano, Reliefs for the Florence Campanile, The Ponte Vecchio (Old Bridge) in Florence, Siena in the Late Gothic, an introduction. ", The head of Vienna's criminal police described how he got the saltcellar back. For some years, he fashioned medallions and the like for popes and cardinals; in his 40s he finally got the chance to produce full-scale sculpture, most notably a statue of Perseus beheading Medusa that now stands in the Loggia dei Lanzi, Florence. Whats more, art is a public thing; it gets its meaning from the interaction of artist, material, and audience. Make your reservation now! Welcome to the Illicit Cultural Property Blog. Its a national treasure; museums exist to acquire these sorts of artifacts, and no one ever sells them: To do so would be like hocking the Liberty Bell. The thief, Robert Mang,[6][7] turned himself in after police released surveillance photos of the suspect which were subsequently recognized by acquaintances. A corrupt collector with, say, a stolen da Vinci drawing can probably hang it safely on his wall; only a specialist would know the provenance of the thing. But for nearly three years . And as the last of these diminishes to a single viewer, the worth of the object approaches nil. It was a high-risk operation. The arts of Africa, c. 18th20th century. Beside Neptune (or Sea) there is a small bowl in the form of a ship, designed to hold salt, while a temple beside Tellus, or Land, would have held pepper. The discoveries of the Renaissanceperspective, knowledge of the human form, heightened compositional sophisticationhad been assimilated into visual culture. The loss of the Cellini is heartbreaking, but theres a chance it will be recovered; these things often are. On May 11, thieves stole a saltcellar worth $58,000,000 from the Kunsthistorisches Museum in Austria. Benvenuto Cellini's salt cellar called the 'Saliera' was stolen from the Viennese Museum of Fine Arts in 2003. Have you seen this saltshaker? According to his Autobiography,itself one of the masterpieces of the Renaissance time period, he led an especially colorful life, full of brawls, feuds, and clandestine bouts of buggery. Email me at derek.fincham@gmail.com, He sent a number of ransom notes to the museums insurance company threatening to melt the work down if he wasnt paid 10-million. Mr Geiger said the suspect had marked four trees so he could find the sculpture. (the male figure) and the earth (the female figure) and was commissioned by Francis I, the king of France. Cellini tells us that he had five workmen to help him with this and other artistic activities for King Francis I. . FULL GALLERY. The raid was one of the most embarrassing in art history, but it was only several days later, through the media, that the thief realised he had made off with a Renaissance masterpiece. It was later recovered in January 2006 near Zwettly, Austria. We could be talking nine figures. Which would be a record sale, by many millions of dollars. Art, like any other commodity, receives its worth partly from the quality of the artifact and partly from its scarcity. The saltcellar shows an allegory of the Earth and the interplay of land and sea. Cellini's gold and enamel container for salt and pepper is the most famous example of Mannerist goldsmithery. . The thief, Robert Mang was an alarm-systems installer with no criminal history. It Takes a Thief to Install an Alarm. Its multiple levels of allusions, spanning ancient mythology, natural philosophy, and contemporaneous art, undoubtedly created rich and open discussions and showcased the artists own wit. Its a hot potato: Show it, and you might as well be wearing a sign that says Arrest me.. [4] It was originally part of the Habsburg art collection at Castle Ambras, but was transferred to the Kunsthistorisches Museum in Vienna during the 19th century. Flickr photos, groups, and tags related to the "cellinisalt" Flickr tag. "It was a very good feeling. salt-cellar. But the Cellini is uniqueand not just in the sense in which all artworks are unique: Nothing even remotely like it exists. This is the Cellini Salt Cellar, an elaborate gold and enamel table decoration, measuring only 10 inches in height. Eventually we found a metal box. Cellini tells us that he had five workmen to help him with this and other artistic activities for King Francis I. It was stolen on May 11, 2003 from the Kunsthistorisches Museum in Vienna. I am a Professor at South Texas College of Law Houston where I teach art and cultural heritage law, among other subjects. He confessed to three murders and was several times imprisoned, in one instance breaking out of the Castel SantAngelo in Rome by climbing down a homemade rope of knotted bedsheets. I'll give you a moment to ponder the conjunction of a piece . Though eventually a photo of him was circulated and he was forced to turn himself in to the authorities, Mang turned himself in to the police, and served two years and nine months in prison. Original reporting and incisive analysis, direct from the Guardian every morning, Safely returned: Cellini's salt cellar, which had been stolen in 2003. Benvenuto Cellini created the Cellini Salt Cellar of gold and enamel in 1540 featuring Poseidon and Amphitrite ( water and earth ) placed in uncomfortable positions and with elongated proportions. . The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. Now it seems he will return to selling and installing alarm systems: (via) he had distributed advertising leaflets and made appointments to check on the state of installed alarm systems or to install new ones . The female figure (Tellus, the earth mother goddess) has her right fingers resting on a, The poses of the two main figures relates to the production of salt. He had a sudden memory of that time, as a spotty youth, when he had stolen Becky Armstrong's sticky bun at a church picnic, only to realise that that imposing replica of Goliath, Mrs Rowbotham, had seen his every move; the resulting . He later tried to blackmail the insurance company, Mr Geiger alleged, demanding first 5m (3.4m), then 10m. As Cellini reached adulthood, Italian art was entering into its Mannerist phase. Despite these distractions, his career proceeded apace. His best-known extant works include the Artists: Search: Glossary: Contact: Info: CELLINI, Benvenuto (b. 3 (#99152), Dr. Elena FitzPatrick Sifford on casta paintings, Beginner's guide to the Early Modern period, Classic, classical, and classicism explained, Expanding the Renaissance: a Smarthistory initiative. When the famous 1540s Cellini salt cellar was stolen from the Kunsthistorisches Museum in Vienna, Austria, some news reports said it was gold-plated. The artwork had suffered only minor damage. On March 13, a resident in the 1500 block of Ramapo Way reported the theft of their 2015 white BMW 435XI. The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. All rights reserved. The saltcellar is Cellini's only fully authenticated work in gold. Sculptor Benvenuto Cellini is best remembered for two things: his bombastic autobiography, the Vita, in which he confesses to multiple murders and a spectacular jailbreak, and for his salt cellar.Yes, that's righta dish for salt. The 500 year-old work may be worth as much as $50 million. "Today will go down in history. "He had collected sculptures in his youth and had a feeling for them," Ernst Geiger told the Guardian. Its an icon of its period, David Redden, vice chairman of Sothebys, says of the saltcellar. Yesterday, detectives were celebrating a double triumph. It measures about 10 inches by 13 inches, and it remains, to this day, one of the most striking and celebrated works of Mannerist designindeed, the very emblem of that eras excesses. Salt Cellar. Unfortunately, this 15-inch salt bed was stolen in 2003 when it was exhibited at a museum in Vienna, Austria. . He sent a number of ransom notes to the museums insurance company threatening to melt the work down if he wasnt paid 10-million. "There was a lot of snow. Cellini Salt Cellar - Theft and Return. He knew exactly how to steal it. One of the museum's most important objects, the Cellini Salt Cellar sculpture by Benvenuto Cellini, was stolen on 11 May 2003 and recovered on 21 January 2006, in a box buried in a forest near the town of Zwettl. It stands about 26cm tall. It came into the possession of the Habsburgs as a gift by Charles IX of France to Archduke Ferdinand II of Tyrol, who had acted as a proxy for Charles in his wedding to Elisabeth of Austria. $ 14.00. The salt cellar was stolen from the museum in May 2003 and recovered by police in January 2006. Done . [citation needed]. [8], The sculpture is insured for an estimated $60 million (approx. It showed a smiling, middle-aged man with thick black hair and brilliant white teeth. He told us afterwards it [the theft] was all rather spontaneous.". He climbed into the museum which was covered in scaffolding at the time, and took the work. Do you speak Renaissance? In this case certainly, the owners and insurers made the rigt decision, but it must have been a difficult one in the face of the potential destruction of the work. It was all properly waterproofed. Nicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Elisha ben Abraham Cresques and the Farhi Bible, Illustrating a Fifteenth-Century Italian Altarpiece, Linear Perspective: Brunelleschis Experiment, Benozzo Gozzoli, The Medici Palace Chapel frescoes, Perugino & Napoleons appropriation of Italian cultural treasures. The recovery of the treasure is likely to relieve pressure on museum officials who faced accusations of ineptitude when it disappeared on May 11 2003. Kunsthistorisches Museum, Vienna. The sculpture was wrapped inside in linen and plastic. 20th Century Italian Silver 800 and Ebony "Benvenuto Cellini Salt Cellar"Replica. This salt cellar is a story of twisted romance, stolen art, and buried treasure. They had recovered the unique gold and enamel cruet set and caught the man suspected of stealing it. We dug for an hour. The cellar was recovered on 21 January 2006, buried in a lead box in a forest near the town of Zwettl, Austria, about 90km north of Vienna. Primitive Gilding. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. You sometimes need good nerves. Robert Mang stole the gold an enamel sculpture from Viennas Fine Arts Museum in 2003, easily skirting the security cameras and alarm systems. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. Personifications of the four winds adorn the salt cellars base, depicted as heads and shoulders, with puffed out cheeks, as if blowing. Some of the gold surfaces were, In his autobiography, Cellini included an extensive description of the salt cellar that. t is one of the world's greatest Renaissance artefacts, an extraordinary gold-plated saltcellar by the Florentine genius Benvenuto Cellini. Enter your email address to subscribe to this blog and receive notifications of new posts by email. The suspect - a 50-year-old man - phoned up to deny his involvement, but later together with his lawyer confessed, leading detectives on Saturday to a wood near Zwettl, a town 55 miles north of Vienna, police said. He was, in many ways, a monstrous mana terrible braggart, vain, egotistical, and self-serving. When a thief broke into the Kunsthistorisches Museum in Vienna in 2003, one object in particular caught his attention. 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